Get smart, go mobile

iphone screen grab

In 2009, George Colombo produced a New Yorker cover using an iPhone app called Brushes. When neighbours referred to him as the guy who draws on his phone, he corrected them: “I occasionally make phone calls on my easel!”

The ability to make “calls” is no longer what distinguishes a mobile phone from other tech. I can make voice calls on my laptop using Skype or Google Voice, right from Gmail even! Indeed, the smart phone is closer, on the evolutionary tech tree, to a laptop computer than it is to a cell phone. (A cell phone, in turn, is probably closer to a rotary phone than it is to a smart phone, let alone a computer.)

As smart phones become more and more powerful, they become more and more indistinguishable from tablets, laptops, and desktop computers (the same, only smaller). And last year, more smart phones (not cell phones, but smart phones alone) were purchased than home computers (desktops, laptops, and tablets combined). So then the “year of mobile” was, like, two years ago. We’re firmly in the smart phone era. (An era these days might only last a week.)

So what does this mean for web design, if more and more people are viewing websites — big, beautiful, complex websites — on their teeny, tiny little phone-ish computers?

It certainly adds a new element of variability to the already cumbersome task I described two years ago when I wrote about the effect differences between web browsers has on web design:

print designers see the finished product as it will be seen by end-users. Web designers, on the other hand, have to account for all sorts of variability in end-use, including differences in users’ screen resolution, computer and internet speeds, and choice of web browser.

“Difference in screen resolution” used to mean accounting for whether the user was looking at your website on an older, smaller monitor or a newer, wider one. This usually meant playing to the lowest common denominator.

But now with mobile handsets and tablets in addition to laptops and desktops, there is an infinity of variability! And to cover all your bases you’ll need to build infinity versions of your website! Oh no!!

Just kidding. Instead, we’ll build one website that responds differently to different screen resolutions. For example, compare the two views above of miketargett.com: In the MacBook view, the navigation menu is big and floats to the right; in the iPhone view, where we have much less space to work with, the nav menu shrinks and lines up in a neat little row below the header. Same website, different layout depending on the medium. It’s called “responsive web design.”

In the past, web design involved a fair bit of wrestling (mainly with the differences between Internet Explorer, Firefox, etc) to ensure your website looks the same across all browsers. Now, it’s not so much about making your website look the same on all screens, but good on all screens.

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Sydney & Area Chamber of Commerce

sydney-area-chamber

Did you know the Sydney & Area Chamber of Commerce is 101 years old? It started as the Sydney Board of Trade; then merged with the Glace Bay, New Waterford, Dominion, North Sydney, Sydney Mines, and Louisbourg boards in 1969 to become the Industrial Cape Breton Board of Trade; then modernized into its current incarnation in 2002.

I updated the functionality and cleaned up the existing design a titch. No biggie.

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Heritage Cape Breton Connection

heritage-cb-connection

Heritage Cape Breton Connection is an umbrella co-operative for historical societies and heritage groups from all over Cape Breton Island. Its mission is to “create an environment where the culture and natural heritage of Cape Breton Island thrive”.

This entails a combination of preservation and promotion of Cape Breton heritage and culture. A featured project that sets out to do both is called ‘Voices of Heritage‘, a series of 12 video interviews with key figures from the heritage sector, including influential and well-known names such as Jim St. Clair, Don Arseneau, and the late Bob Morgan.

Logo design by Kristy Read.

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Social Enterprise Bootcamp at CBU

I was invited along with two others speakers to kick off the Social Enterprise Bootcamp at CBU. Meghan Farrell of Nova Scotia Coop Council and Leah Noble of Dream Big Cape Breton spoke first about looking for assets in our communities rather than deficits and from there gaining the confidence to say “Yes, we can do this.” They gave great examples from their own lives and work, and made for a tough act to follow. Because we’re expecting our third child any… minute… now… I couldn’t stick around for the weekend-long event. So I used my time to give the participants some advice:

Starting a conventional business is an uphill battle. And when you’re in social enterprise, dealing with three bottom lines and not just one, the battle is uphill both ways, in the snow, with no shoes.

But you persevere because you are confronted by some set of circumstances, you are compelled by some social need, to come up with a solution. Essentially, you look at a problem, and you don’t ask yourself “Can this be solved?” but rather “How can this be solved?”

In this way, you are like designers. As a web designer, I work with non-profits, artists, and locally-owned businesses. I’m also on the board of New Dawn Enterprises, a social and business development organization. Both in my business and on my board, we deal in solutions; we’re in the business of saying ‘yes’ to problems. If I said ‘no’ too often, I’d be out of business; if my board said ‘no’ too often, New Dawn wouldn’t fulfill its social mandate of community service, and would render itself irrelevant.

But saying yes is only the beginning. Then you have to set about finding a practical solution — an impractical solution being no solution at all. This can be daunting. Social needs related to poverty, mental illness, employment, housing, health-care, the environment — these can make you feel like you’re David versus Goliath.

But that’s where it’s important to remember that David won.

A friend recently shared an article with me by New Yorker writer Malcolm Gladwell called “How David Beats Goliath – When Underdogs Break The Rules.”

It starts with a story about a girls basketball team, with very little talent or skill, and their coach, whose unconventional approach brought them all the way to the national championships. The coach was an newcomer to the game, so he saw it from an outsider’s perspective. He watched as game in, game out, one team would score and then fall back to defend their court, while the other team picked up the ball, brought it across court, acted out their pre-rehearsed playbook, scored, and then fell back to defend their court… and so on, back and forth.

What the coach perceived was how this conventional approach to the game favoured the team with the better offence: the bigger, taller, faster team with more skill and resources at its disposal. And the coach knew his team stunk. So he had them adopt an unconventional approach: the full-court press. Instead of falling back and yielding most of the court to the opposing team, the underdogs would defend the whole court: at the start of a play, when the other team only has a few seconds to get the ball into play, the underdogs would block every angle and force a bad pass; and then, when the other team only has a few more seconds to get past half-court, the underdogs would play hard defence. Suddenly, the bigger, better, faster team wasn’t playing against a smaller, weaker, slower team…. they were playing against the clock. And they were losing.

The underdogs took this method all the way to the national championships.

I won’t stretch myself to suggest an analogy between basketball and social enterprise. But there is something to be said for thinking like David when staring down Goliath.

So let’s apply this to what you guys are going to be doing this weekend. You’re working in groups, to design a solution to a problem. The conventional approach to group work is the brainstorming session. Brainstorming is about filling up a flip chart with as many ideas as possible. And conventional wisdom tells us that in order to do this there must be an effective ban on criticism and negative feedback, because if someone thinks their idea might be ridiculed, they’re less likely to share it. And that would prevent your group from reaching that critical mass of ideas necessary for success.

But here’s the problem. The conventional wisdom is wrong. Brainstorming doesn’t work. A psychologist at Washington University summarizes the science as follows: “Decades of research have consistently shown that brainstorming groups think of far fewer ideas than the same number of people who work alone and later pool their ideas.”

Now you might offer anecdotal evidence to the contrary. You might say, I’ve seen my fair share of impressive-looking flip charts from brainstorming sessions. But the research isn’t comparing ideas; it’s comparing good ideas with bad ones.

And most ideas are bad. Most ideas are plain crap.

Most ideas — for a social enterprise, for a business, for a product, for anything that people consume or engage with in one way or another — most don’t amount to anything, if they even materialize in the first place. Most businesses are based on bad ideas. That’s why most businesses go out of business. And most do it rather speedily.

In fact, we shouldn’t think of bad ideas as ideas at all. They’re just writing. Like I said at the beginning, an impractical solution is no solution at all.

So what should you do instead? How should you approach the design process in a group setting?

First, you should avoid the trappings of brainstorming by allowing some time this weekend to do some work individually, and then come together to criticize it. (Avoid ‘Groupthink’. Instead: Think. Regroup.)

Second, by “criticize”, I mean constructive criticism. The research doesn’t suggest that you shouldn’t still be a good listener, shouldn’t be open-minded, shouldn’t be a generally respectful human being. It just suggests that you shouldn’t shy away from putting ideas through the fire, from putting pressure on them. Respect is reserved for the person who came up with the idea; don’t respect the idea itself until it earns your respect. What the research shows is that, in fact, imagination thrives on conflict. So if you truly want to respect your teammates, you should rough up their ideas a little.

Conventional wisdom also tells us not to reinvent the wheel. This feels intuitive because our natural inclination is to be afraid of the new. And so we often start by looking for existing examples of an enterprise, we then label them ‘successful’ (they must be successful or else they’d have gone out of business already), and then we replicate them.

Now, y’know, the wheel…. someone would’ve eventually come up with that idea. And the wheel… it is pretty hard to beat.

But your goal should be to design a solution to a problem that needs a solution; not to look for a solution to a problem that already has a solution. As I said at the beginning, the question you should ask yourself is not ‘can this be done?’ but rather ‘how can this be done?’

We have all sorts of ‘solutions’ to problems that don’t really exist. In philosophy these are called pseudo-problems. I don’t want to discount anything so I’ll leave it up to you to decide what is and isn’t a pseudo-problem in the real world, but I’ll give you one quick example from philosophy: a topic called “Vagueness” wherein one tries to answer the question “How many grains of sand would you have to remove from a heap of sand before it is no longer a heap?” The answer to this question is, of course… why would anyone ever need to know this?

If you were attracted to social enterprise in the first place because you want to do something meaningful with your life, don’t shoot yourself in the foot right from the get-go by solving pseudo-problems.

Now there’s nothing implicitly wrong with replicating or importing a solution. But look closely because that successful enterprise you’re modelling may be just that — a successful enterprise — it may not in fact be a successful solution. So again this is where your critical faculty becomes absolutely… critical.

Don’t pick something easy. Social enterprise is about making positive change in your community and the world; it’s not about looking cool while doing it. Gladwell points out that when that girls basketball team was playing the full-court defence, they often looked ridiculous, waving their arms in the air. He suggests that, even though this style of play got an underdog team to the national championships, it’s the uncool factor that explains why such a successful style of play isn’t adopted more frequently.

Bruce Mau, the celebrated Canadian designer, in his “Incomplete Manifesto for Growth“, says, “Don’t be cool. Cool is conservative fear dressed in black.”

Mau goes on to talk about “Collaborating,” saying that “The space between people working together is filled with conflict, friction, strife, exhilaration, delight, and vast creative potential.”

I would simply alter that slightly to say: IF The space between people working together is filled with conflict, friction, strife — respectfully — THEN it will also be filled with exhilaration, delight, and vast creative potential.”

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#CBRM #thisisyourcommunity

creative-alternatives

The Cape Breton Post’s editorial cartoon by Sean Casey of Cape Breton Ink is brilliant because it lends itself to interpretation.

I hope that when people see this cartoon they see beyond the hipster facial hair, piercings, sneakers and slang and notice what the t-shirt says, because the character with the “creative alternatives” is not a composite of a couple of punk kids with too much idealism and too little common sense. It is a composite of all Cape Bretoners young and old who worry about the future, feel helpless at times, and are looking for a way to join in a collective, collaborative effort to rebuild (an effort that is underway).

The “creative alternatives” we refer to are not meant to supplant, but to supplement, an equalization fairness campaign: to consider other means of achieving prosperity in addition to equalization; and to consider other means of pursuing equalization fairness itself.

For me, the real meaning of this cartoon lies in the question it poses: namely, what happens next? Will we have a mayor who engages more of the community? Or will we have a mayor who continues to “cast himself as a lonely but heroic crusader“? In which case, the cartoon may not be portraying Mayor Morgan as using the lawsuit “sword” to fight off the beast of economic ruin, in fact he may not even be using it to fight the beast at all. He may be feeding it.

**

What’s this about? See here, here and here

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Toward Collaborative Local Politics

Published in The Cape Breton Post comment section (print only) on Monday, March 5, 2012

CBRM Mayor John Morgan should seek input from the community on a more regular basis, and with a deeper commitment to giving that input its full due. He should help open the municipal government’s policy development and review processes to make them more participatory, transparent, and above all, inclusive. And he should re-imagine a social role for municipal government.

This was the message a small group of us delivered to Mayor Morgan last week. The meeting was a follow-up to Donnie Calabrese’s “Open Letter”, published first on Facebook and then in the Post. In it, Donnie challenged the Mayor to think outside the equalization box and look to the community for creative alternatives. But the real challenge now falls on us, to bring those creative alternatives forward and put them to the test. So while we’re expecting a lot from the Mayor and his office, we’re also expecting a lot of ourselves — that we will assume more responsibility for co-creating our communities and local economies.

In order for this new conversation to unfold, there must be an open channel of dialogue between the Mayor’s office and the various constituencies that feel they are not being listened to, let alone spoken to. Only then can we work together to achieve our common goal of creating a vibrant community that offers a viable choice to both newcomers and home-grown folks alike.

During the meeting (which included myself, Donnie, and Erika Shea), we acknowledged the cogency of Mayor Morgan’s argument with respect to equalization. But all parties were able to agree that, while equalization fairness is perhaps necessary, it is not sufficient. We therefore can’t afford to pursue it at the exclusion of immigration and diversity, arts and culture, student life and youth engagement, environmental sustainability, and the nurturing of a business climate more conducive to small- and medium-size enterprise.

Judging from some of the responses to Donnie’s letter, the Mayor is not the only one with a blind-spot when it comes to small and varied locally-based initiatives. Many still buy into the false choice between rescue from government and rescue from big industry. Curiously, this dual rescue package is seen as the only hope by both doom and gloom pessimists and “turned the corner” optimists alike. But both offer false hope.

We need evidence-based analysis from our best and brightest, which our Mayor is. But it must be combined with innovative and practical solutions, which the equalization legal battle is not.

Instead we need our leaders to be inspired by a constructive alternative vision, like the kind Fr Jimmy Tompkins and Fr Moses Coady sought to establish during the Antigonish Movement. Leadership is tricky now just as it was then. What does it mean in a 21st-century hyperconnected world, and in a collaborative setting like the one alluded to above? And how can it help people in Cape Breton achieve Coady’s vision of becoming, as he titled his book, ‘Masters of Their Own Destiny’?

Whatever shape it takes, collaborative community-based leadership requires of us that we educate ourselves and organize ourselves. A well known example of the Antigonish Movement’s effort to educate and organize was the People’s School, established in 1921 at St Francis Xavier University. Its goals were, I believe, ones we can identify with today, almost a hundred years later:

  • to deal pragmatically and head-on with the challenges facing Cape Breton;
  • to liberate, and put to good use, the creative energies of the people; and
  • to inspire them to work together for their common good.

This is not an argument for pulling ourselves up by our bootstraps. CBRM, like every municipality in Canada, has three levels of government, all of which must work together to achieve sustainable prosperity. But an engagement with government at the local level is perhaps the best way of ensuring that the community leads in determining its future.

So roll up your sleeves. There’s a new conversation to be had.

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Cape Breton Farmers’ Market

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The Cape Breton Farmers’ Market is a not-for-profit co-operative that has been in operation for almost thirty years, evolving from an outdoor seasonal market to a year-round indoor market that attracts over a thousand visitors weekly from all over the island.

The Market is the largest market of its kind servicing producers and customers in Cape Breton, and is home to approximately 30 vendors, including farmers, bakers, jewelers, crafters, and much more.

It aims to promote, support, and enhance the development of the local food/artisan industry, while promoting sustainability, healthy eating, and community.

And its former manager is the prettiest girl of all time.

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What’s Hiding Behind Liberalism’s Veil of Tolerance?

In April 2010, I published this post on my old blog, The Bike Lane, which no longer exists. An article shared on Facebook today reminded me of it.

Westerners see themselves as culturally neutral, unwilling to see our own fashion practices as potentially suppressive, but rather as the “norm.”

We will bring you to liberation by force. You Muslim women really aren’t independent until you embrace our lifestyle choices.

The niqab issue strikes me as a technological issue.

In order to receive various public services in Canada you must disclose your identity, such that the authorities might match your face to a photo of your face.

But identity can also be disclosed via retinal scan or iris recognition, finger print scan or – perhaps less appealingly – DNA or bodily fluid test. The point being, your face is not your identity. (For example, in order to post this blog I first had to identify myself to my web-publishing software by disclosing a 12-character password that is stored no where else but inside my head.)

Don’t get me wrong: I recognize there are cons to biometrics, probably most obviously having to do with marketers and insurance companies. (Then again, what are the cons? That you wouldn’t be able to lie to health insurers? That advertisers would know what you are likely to prefer?) The pros of moving beyond facial recognition are that racial profiling and identity theft would disappear – at least, in their current incarnations. Point is, there are pros and cons of every technology. Maybe the niqab issue will simply be remembered as the end of photo ID’s.

What’s the alternative: that photo ID will be the end of the niqab? And would such a petty victory be a triumph for liberalism — is this what Western values have been reduced to?

Biometric identification is an alternative to photo ID which, if adopted universally, would remove the “rationale” for niqab-banning. (It would also remove the rationale that prevents you from smiling for your passport photo, which makes you and everyone else with a passport look like a serial killer.)

And if that rationale were removed — what then? Would liberals move on, or is this about more than the efficient delivery of public services?

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AIDS Coalition of Cape Breton

accb

AIDS Awareness Week takes place every year around the world during the last week of November concluding on December 1st, World AIDS Day.

The AIDS Coalition of Cape Breton is taking part with several events planned for next week including the flag raising and proclamation from the CBRM next Thursday, December 1st at noon.

Year-round the Coalition is hard at work promoting and providing harm-reduction services to people living with HIV/AIDS and people at risk of contracting HIV; providing a safe place for gay, lesbian, queer, trans, 2spirited & bi-identified people; and delivering educational training to youth service providers to enable them to better support queer youth who may be struggling to develop their identities in environments not always considerate of gender and sexual diversity.

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Richard Florida’s Creative Classism

In the Community Economic Development MBA program at CBU, our Economic Geography professor tested our reading comprehension by having us summarize one of the assigned readings. I chose Richard Florida’s “Cities and the Creative Class”.

The City as an object of academic study has been marginalized in the last several decades by scholars whose myopic view of regional development has led them to see only companies, firms, and industries as engines of innovation and economic growth. Richard Florida has corrected this egregious error, rescuing the city from undeserved obscurity, and effectively filling in a giant blind spot in economic geography as a discipline that has existed ever since Jane Jacobs stopped writing about the city and started writing about the planet.

If it weren’t for Florida’s heroic effort to return the city from oblivion to its rightful place at the centre of regional development theories of economic growth, policy makers would spend another wasted generation misplacing their energies (by attempting to influence and attract firms with incentives); and lesser scholars would misplace their energies by studying non-economic functions of places. Policy makers and scholars alike should instead look to the city as the new way of organizing geographies. And here’s why.

Not only is geography not “dead”, but in fact the people responsible for economic growth in (mainly) the US are concentrating in a handful of places. The question then is whether favourable economic conditions (jobs, etc) bring those people to those places, or whether those people actually bring the economy with them. Indeed, Florida argues that firms cluster in places, spurring the huge economic growth and spawning the advancements in innovation that characterize booming economies, precisely because those people are there, all at once, together. The best and the brightest, they are. Look at ‘em! They’re almost glowing. They’re called… The Creative Class.

There are several important things to know about this important group of important people. First, they don’t care for bowling, church, politics, group sports in general, trusting people, caring about strangers, knowing people outside of their class and specialty, or having meaningful connections to humans that might in any way inhibit the economic growth of the economy.

What they do like is “networking” with people who share their interests, which allows them to socialize while simultaneously pursuing their own interests.

In this way, not only are they highly motivated technological innovators, but indeed social innovators. They spontaneously create the very lifestyle conditions required to reproduce themselves: a diverse, open society where anyone is welcome so long as you don’t try to get to know others too well (i.e., invasive-ness is taboo) or do anything else to inhibit the production of novelty leading to economic growth (like, say, promote stability or obligations).

While Florida places cities at the centre of regional development theory, he places these people, the Creative Class, at the centre of the City. No longer are cities important because of their centrality in a distribution network nor their proximity to natural resources. The new economy is still structured around resource extraction, but of a radically different resource, what Florida calls “human capital”.

Being human is not enough to endow a human with human capital worth extracting: a human must first be enriched with high-grade education, and pressurized to a level of productivity not found outside the lab, in nature. The resulting human product is called “talented”, and as specimens accumulate in a place, yet remain unattached so as to easily reconfigure in novel combinations, we see economic growth.

As noted, only some humans possess human capital. And only some humans with human capital possess the kind of human capital, “creative capital”, necessary to drive economic growth. And still fewer of these creative humans possess highly enough concentrated levels to be considered super-creative. These include scientists, artists, designers, and Richard Florida.

In order for someone’s output to be considered super-creative, it must meet the following dual criteria, both of which are necessary and neither of which is sufficient on its own: it must be highly original, yet highly reproducible.

Among the creative class as a whole, Florida counts almost 1 in 3 Americans. There is a high degree of probability that the remainder are creative human beings. But they aren’t required, or allowed, to employ this creativity in their jobs — because they stayed in their hometown which is ethnically homogeneous and sparse in technological assets, and they didn’t graduate from university, like Steve Jobs.

Florida is not uncritical of the new cities, and notes some of the contradictions of the rise of the creative class: as university graduates relocate to join the creative class, we can see intensifying economic inequality between a few fast growing regional economies and the shrinking regional economies of the various backwaters where they grew up; and within fast growing economies, anyone not a member of the creative class can no longer afford their rent and must move to those hollowed out communities that the creative people just evacuated.

Worst of all, members of the creative class must check their email frequently, causing mental disorders that will lead to social breakdown in the absence of support structures like bowling leagues, Kiwanis, church, community, friends, and family.

To summarize, the Creative Age is distinguished by the movement, accumulation, concentration, and infinite reconfiguration of “human capital”. The creative class is, in other words, capital incarnate.

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